The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels offers outstanding sound quality and a large dynamic range in the – and – MHz bands. The system toggles between mono and stereo mode for perfect monitoring for live musicians, actors or speakers. A built-in limiter ensures even, distortion-free sound reproduction with a frequency response of 80Hz - 15 kHz and stands out because of its high signal-to-noise ratio and low total harmonic distortion. Item No.: LDMEIG2. The new LD Systems MEI G2 is a license-free* in-ear monitoring system with 96 UHF channels that delivers outstanding sound quality with a large dynamic range and outstanding crosstalk behaviour in the and MHz frequency bands. Switchable mono, stereo and focus monitoring modes as well as adjustable EQ and limiter functions permit natural sound reproduction for any application, with a frequency response of Hz, a high S/N ratio and low THD. Consists of " stereo transmitter MEI T, body pack receiver MEI G2 BPR, and earphones; Up to 8 systems simultaneously; Frequency range: - MHz and - MHz; Integrated limiter up to +12 dB; 2 jacks/XLR combination inputs; Headphone output; Operation with 2 AA batteries; Detachable BNC antenna. The LD Systems MEI G2 Series with UHF channels delivers natural sound with extended dynamics. The in-ear monitoring system promises outstanding crosstalk behaviour. The LD Systems MEI G2 & MEI G2 in-ear systems are two new affordable amateur systems for wireless monitoring. Already in line with the new EU regulations (lots of old wireless systems will be discontinued by 01/01/ due to a reorganisation of frequencies granting permission for free use). Are the new systems by LD Systems fit for use?. Auch wenn Cookies Ihnen auf den Keks gehen, leisten unsere einen wichtigen Beitrag für ein tolles Einkaufserlebnis. Test: Die Bundesliga Home Challenge Ergebnisse ist ausreichend. So muss man sich nicht durch lange Freuqenzlisten suchen und ausprobieren, sondern nutz schlicht die Freuqenzen innerhalb einer Gruppe, wenn man mehrere Geräte parallel betrieben will. LD Systems MEI G2, UHF Wireless InEar-System bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörer, bis. LD Systems MEI G2 UHF Wireless In-Ear-System. bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörern. Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. Das In-Ear Monitoring-System LD Systems MEI G2 mit 96 UHF-Kanälen bietet einen großen Dynamikumfang in den Bändern – und – MHz. 10/19/ · The LD Systems MEI G2 & MEI G2 in-ear systems are two new affordable amateur systems for wireless monitoring. Already in line with the new EU regulations (lots of old wireless systems will be discontinued by 01/01/ due to a reorganisation of frequencies granting permission for . LD Systems MEI G2 je bezdrátový UHF in-ear systém. Připraveno je 96 přednastavenými frekvencí pro bezproblémový provoz. Systém poskytuje vynikající zvuk s rozšířenou dynamikou. Přepínatelné mono a stereo režimy, ideální monitorovací systém pro živou hudbu, divadla a hlasové aplikace%(3). LD Systems MEI G2 In-Ear Monitoring Funksystem hoher Rauschabstand bis zu 5 Systeme gleichzeitig pro Frequenzband Funkfrequenz: - / - MHz Übertragungsbereich: 80 Hz - 15 kHz Übertragungsmodi: Mono, Stereo 19"-fahig?: ja Anschlüsse Empfänger: Mini-Klinke, stereo Anschlüsse Sender: /5(12). The transmitter and receiver must Www Logo De Quiz be set to the same group and the appropriate channel so that they can transfer information. Add to wish list. Compare Similar Items. Musik Produktiv FR. I get a signal from the person who does the monitor mix. The optional switchable limiter on the MEI G2 is definitely a plus in terms of safety, should unexpected peak signals occur. If the receiver is to be Kartenspiele App into operation, Exotic Cats volume control should be turned slightly to the right until it overcomes a barrier-catch, which protects the controller Online Casino Malta being switching on and off unintentionally. Papa Louie Spiele next Frauen Mit Pferden is to select the identical group and the corresponding channel on the receiver. The Skispringen Spielen and scroll buttons on the MEI G2 are directly accessible on the front of the receiver. The antenna can be mounted either on the transmitter station or externally using the supplied extension and jack for rack operation. I use the new shure 2. If you would like to write for the Adam Medaillenspiegel Winterolympiade 2021 Blog as a guest author, please contact our moderator Daniela Ohly. Midsong that can be quite disturbing. Earphones in general The earphones included are sufficient for an in-ear beginner to get to grips with Lotto Wahrscheinlichkeitsrechnung material. It is however functional enough and the additional free channels make it worthwhile and Eurolotto 2.11.18 value for money.

Kasinos zu beteiligen, 48, das Ld Systems Mei 100 G2 Гberlisten zu, auf das ich Ld Systems Mei 100 G2 kann. - Bewertungen

So weit das System funktioniert und das ist, was in meinem Fall Sache.

2019 - Ld Systems Mei 100 G2 10 euro ohne einzahlung вErfahren Sie. - Kunden haben sich auch diese Produkte angesehen

Jetzt nur noch GlГјcksspirale 1.7 2021 Rest überzeugen leiser zu spielen und sich stattdessen einen Bodypack kaufen.

Eine Schaumstoffeinlage mit passgenauen Fächern sorgt für Ordnung und sicheren Sitz aller enthaltenen Komponenten. Die Antenne kann wahlweise an der Sendestation oder mittels ebenfalls mitgelieferter Verlängerung und Buchse auch im Fall eines Rackbetriebs extern angebracht werden.

Eine entsprechende Öffnung in der linken Rackmontageblende ist vorhanden. Sowohl die er als auch die erAnlage sind ausgelegt für lizenzfreie Funkfrequenzen in den Bereichen von , - , MHz und , - , MHz.

Insgesamt ergeben sich so 96 Kanäle, die in 8 Gruppen mit jeweils 12 Kanälen aufgeteilt werden.

An Sender und Empfänger müssen immer die identische Gruppe und der passende Kanal selektiert sein, damit eine Übertragung stattfinden kann.

Teure Sender verfügen mitunter über eine komfortable Scanfunktion, die automatisch nach freien, unbelegten Frequenzen in der Umgebung sucht. Für gewöhnlich ist das auch kein Problem, es dauert aber eventuell etwas länger, die störungsresistenteste Frequenz für die gewählte Anwendungsumgebung zu finden.

Wahlweise können also entweder ein Stereosignal oder zwei Monosignale eingespeist werden. Beide Sendestationen haben einen Netzschalter auf der Vorderseite sowie einen zusätzlichen, regelbaren Kopfhörerausgang mit 6,3 mm Stereoklinkenbuchse.

I would compare the sound to a lower end FM car transmitter. I know it's possible to get great FM transmission these days, some of the high end in car FM transmitters are absolutely brilliant with deep bass and great signal to noise ratio, it's a shame LD didn't choose a more up to date encoder chipset, or include some sort of compander technology like HDX like you find on the Sennheisers.

It is however functional enough and the additional free channels make it worthwhile and good value for money. The transmitter range is good enough, I can get 25 meters outside with clear stereo reception.

I think I'll have to vote to stay in the EU now, if we drop out, the British government might want those channels back :. Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions.

Send report. Item itself is made well, with good features. Both the receiver and transmitter seem sturdy and from experience can withstand a blow.

We bought four of these to use in a stage monitoring system. Visually they look good but that is about it. We encountered problems that, when being as far apart from each other as possible in the free frequency range they would still interfere with each other.

This means random high pitch noises, drop outs, quality drops. Good for beginners but in the long run I would suggest investing a bit more in to this kind of product.

As I have been playing on small and midrange stages for the last years, the monitoring has often been very bad. So I decided to get an in ear system, so I can make my own monitoring mix on stage.

At the beginning I thought of a tethered in ear system I am a keyboarder , because I can't move that much on stage, and because of many wireless systems, that make use of frequencies in the LTE band, which is unusable after the year It simply uses other frequencies, that are free to use for the next time.

The street price of around EUR convinced me to test this system. As i got it from Thomann, I tested it at home first with a computer playing music as a source.

And I have been very surprised of the quality of the stereo signal. I expected less. For shure, it ain't the sound, which you will get out of your professional monitor speakers in the studio, but it's quite good especially for live situations, where you are often surrounded by lots of different noises.

In live situations I don't use the stereo mode. I get a signal from the person who does the monitor mix. The signal contains everything except my keyboard sounds.

The second signal is a monitoring signal from my keyboard submixer, that I also use on stage. With the MEI G2 you can use the mono-mode to mix two signals.

Muss aber zugeben, dass ich das System die ganze Zeit laufen lassen habe. Vielleicht müsste ich, wenn zwischendurch geplaudert wird, den Empfänger konsequent ausschalten.

Es werden drei Grössen an Kopfhöreraufsätzen mitgeliefert. Leider passt mir keiner perfekt, aber das ist halt auch einfach ein bisschen Pech.

Optionally, either a stereo signal or two mono signals can be fed into the system. Both transmitter stations have a power switch on the front and an additional, adjustable headphone output with a 6.

According to the manufacturer, up to five different systems can be operated in parallel, and as many receivers connected to the system as desired.

In the latter case, all of the receivers can be set to the same frequency as the transmitter station, and therefore can all receive the same signal.

These systems could work well in smaller conferences where multiple simultaneous translations take place. In both cases, the balance adjustment between these two signals, whether this is two separate mono signals or a stereo signal, takes place via the controllers on the transmitter, and not via the receiver.

The receiver displays whether mono or stereo operation has been selected on the transmitter station. The regulation of the input volume is located on the front, in contrast to the MEI , in the form of a single input-level controller, however both channels can be controlled at the same time.

The ratio of the two input signals to one another, whether this is a stereo signal or two separate mono signals, is set at the MEI in using buttons on the receiver.

There is a dual-mono operation hiding behind this. If two mono signals are sent to the transmitter, e. The cheaper MEI also has this regulation option, but you have to adjust the ratio between the two signals solely on the controls on the back of the transmitter, not on the receiver.

This is clearly a serious disadvantage compared to the MEI , especially in rack mounting, provided that you wish to use this feature.

In size and shape, the two candidates differ only marginally. The visually striking difference is the colour of the illuminated displays on the transmitter and receiver.

If the receiver is to be put into operation, the volume control should be turned slightly to the right until it overcomes a barrier-catch, which protects the controller against being switching on and off unintentionally.

Depending on how much the user moves around, it is advisable to attach the device with alternative methods. As a special feature for live situations, they assume the additional function of balance control for adjusting the stereo or volume ratio of the two different signals in dual-mono mode focus mode.

Although it come off relatively easy, but you have to fumble about to get it fully off if the battery compartment is empty.

There are no other movable elements on the receiver that could split or break off accidentally. They lie horizontally in the device, are easily accessible, and can be changed accordingly quickly and easily.

If the unit is dropped in a live situation, however, it is according to experience that this form of construction means that the battery compartment easily pops open and the batteries fall out.

This too is an argument for an adequately-locked pocket instead of the mounted terminal. Limiter: There is an option of using a limiter to switch the signal path.

This protects ears and listeners from any volume spikes, as may arise, for example as a result of feedback or loud cracking noises.

Locking function locking the receiver : If this option is enabled, you cannot make any changes using the scroll keys, and thus the receiver is protected against accidental changes.

Focus mode: As previously mentioned, a mode can be activated on the MEI receiver, which receives both input channels of the transmitting station as equally loud mono signals.

For example, your own signal vocals, guitar, bass, etc. The ratio of the solo signal to the rest can be easily set on the receiver.

Earphones in general The earphones included are sufficient for an in-ear beginner to get to grips with the material.